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Author Guidelines
1. Files should be submitted as an attachment in a format compatible with Microsoft Word for Mac to the email address ediciontrans@gmail.com.
2. Articles should be approximately 6,000 to 120,000 words, and reviews 1,500 to 2,000 words. Both must include a bibliography.
3. Submissions must be formatted on A4 paper with 3 cm left margin, 1.5 cm right margin, 4.5 cm top margin, and 1.5 cm bottom margin; Aptos font, size 10, left-aligned, 1.5 line spacing. Do not use indents or tabs.
4. The first page of each submission should include:
. Title in Spanish, Portuguese, and English (Aptos 16, bold, left-aligned);
. Abstract in Spanish, Portuguese, and English, up to 150 words (Aptos Light 9, single-spaced, justified);
. 5. Include three to five keywords in Spanish, Portuguese, and English (9-point font, single-spaced, justified), separated by commas.
6. Direct quotations should be enclosed in quotation marks within the text if they do not exceed three lines. Otherwise, they should be written in a separate paragraph, using 10-point italics and without quotation marks. Every quotation or reference to specific texts must be followed by the corresponding reference. References should be made in the body of the text using the author-date system: (Morris 1971: 287-294), Blacking (1976: 31).
7. In the case of quotations in a foreign language, these should appear translated in the main body of the text and in their original language in a footnote.
8. Footnotes should be presented at the bottom of each page, using 8-point font. The use of footnotes is recommended to provide secondary information. Do not include bibliographic references. However, articles with more than 30 footnotes will not be accepted.
8. Graphics, images, and musical examples must be submitted as separate JPG files. The appropriate place for each illustration should be indicated in the body of the text; they should be properly numbered and identified with a title.
9. Submit a separate supplementary file containing the author's biographical information, ORCID, institutional affiliation, and email address, along with a brief curriculum vitae of no more than 5 lines.
10. Submissions are accepted in Spanish, Portuguese, and English (other languages such as French or Italian may be acceptable).
11. Acknowledgments and funding information should be included in a separate, clearly identified paragraph at the end of the text (only in the final version after revisions).
12. Bibliographic references should be compiled at the end of the paper in alphabetical order. Books not cited or mentioned in the text should not be included. 13. Reference Models:
Book:
Blacking, John. 1995. How Musical Is Man? Washington: University of Washington Press.
Journal Article:
During, Jean. 1982. "Revelation and spiritual audition in Islam." The World of Music 24(3): 68-84.
Edited Work:
Idel, Moshe. 1997. "Conceptualizations of Music in Jewish Mysticism." In Enchanting Powers: Music in the World's Religions, ed. Lawrence E. Sullivan, 159-188. Cambridge: Harvard University Press.
Edited Work (up to three authors):
Balaban, Mira; Ebciogulu, Kemal; and Laske, Otto (eds.). 1992. Understanding Music with Al: Perspectives on Music Cognition. Cambridge: MIT Press.
Edited Work (more than three authors):
Borofsky, Robert et al. 2001. “When: A Conversation about Culture.” American Anthropologist 103 (2): 432-446.
Author as editor:
Nettl, Bruno (ed.). 1998. In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press.
Online resources:
Nattiez, Jean-Jacques. 1995. “The Past Before: Time, Structures, and Collective Musical Creation. Regarding Lévi-Strauss and the Ethnomusicologist Brailoiu.” Trans 1 http://www.sibetrans.com/trans_new/a297/el-pasado-anterior-tiempo-estructuras-y-creacion-musical-colectiva-a-proposito-de-levi-strauss-y-el-etnomusicologo-brailoiu [Accessed: February 22, 2005].
Several works by the same author:
Bouissac, Paul. 1976a. Circus and Culture: A Semiotic Approach. Bloomington: Indiana University Press.
1976b. "The 'golden legend' of semiotics." Semiotica 17(4): 371-382.
14. Discographic and audiovisual references should appear in separate lists. They should be based on the formats listed below. However, authors may add any information they deem necessary for the precise identification of the source:
Discos Manolín, el médico de la salsa. 1994. Una aventura Loca. Caribe.
Audiovisual: The Rutles: All You Need Is Cash. 2001. Dir. Eric Idle and Gary Weis. DVD. Rhino Video.
15. References to recordings or audiovisual materials in the article must include the necessary information in the body of the text or in a footnote so that the reader can identify them in the reference list.
Before submitting, please ensure that:
The contribution is original, meaning it has not been previously published or submitted for consideration by any other journal.
The file is in Microsoft Word format.
The text adheres to the formatting, stylistic requirements, and bibliographic guidelines described in the author guidelines.
For files containing articles, please ensure anonymity.
