Transcultural Music Review
#13 (2009) ISSN:1697-0101
Curricula autores TRANS 13 (2009)
Pepa Anastasio es profesora asociada en el Departmento de Lenguas y Literaturas Romances de Hofstra University en Nueva York, donde imparte clases sobre literatura española y estudios culturales. Sus publicaciones incluyen ensayos sobre el cine de Pedro Almodóvar y las novelas de Juan José Millás. Es editora de 'Trastornos de carácter' y otros cuentos, una selección de cuentos de Millás (MLA 2007). Recientemente, y como parte de su proyecto sobre la creación y recepción de la cultura popular y de masas en las primeras décadas del siglo XX, ha publicado acerca de la relevancia social y cultural de la fórmula del cuplé en la Barcelona de los años 1910-1920.
He is professor of music at the Ohio State University. He edited The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology (University of Rochester Press, 2004) and has published articles on Alban Berg, twelve-tone composition, film music, minimalist opera, and Frank Zappa. He was an American Musicological Society (AMS) 50 Dissertation Fellow, and won the AMS Alfred Einstein Award in 1996. His book Absolute Music, Mechanical Reproduction, a study of art music cultures in the phonographic age, will appear in spring 2010 (University of California Press).
Assistant professor of Music at Texas Tech University in Lubbock, TX. He teaches courses in harmony and ear training, post-tonal theory, and theory pedagogy. His current research focuses on music as performance and on the music of Sofia Gubaidulina. He is active as a double bassist throughout West Texas.
She was born in 1983 and works as a piano soloist and musicologist. She got degrees from Turin Conservatory, the Accademia Nazionale di Santa Cecilia in Rome, Trinity College London, the Universities of Rome and Venice. As a performer she played in venues such as Carnegie Hall and the Concergebouw. She is a PhD candidate at the University of Birmingham (UK). She published four books, numerous CDs and several articles for international reviews including "Musica e Storia", "AAA-TAC", "Atti dell'Istituto Veneto di Scienze, Lettere ed Arti" etc.
He is Assistant Professor of Communication Studies at California Polytechnic State University, where he teaches courses in performance studies, intercultural communication, and cultural studies. He was raised in Chile, South America, and has lived in the U.S. since 1990. His research works out of-and back into-the intersecting of performance studies with popular music studies. He is currently working on a book manuscript: an extensive study of the performative, cultural, and communicative dimensions of Phish and phan culture. Ongoing research projects include an exploration of Chilean music (particularly of the politically-inflected work of Violeta Parra and of Los Prisioneros), as well as a critical unpacking of the cultural politics of inclusion/exclusion of the indie rock scene.
Salwa El-Shawan Castelo-Branco
Socióloga, doctoranda en la Facultad de Ciencias Sociales de la Universidad de Buenos Aires (UBA). Becaria CONICET/ Instituto "Gino Germani" de la UBA y docente de la materia "Sociología de la Cultura" de la UBA.
descripció i tal i pasqual
Eidsheim investigates the tension and dependency between the somatic and semantic in vocal timbre, vocality, corporeality. She is particularly interested in the performative aspects of the production, reception and perception of vocal timbre. Eidsheim is an Assistant Professor in the Department of Musicology at UCLA.
Michael Eisenberg is the 2007/2008 Bibliographical Society of America Folter History of Bibliography Fellow and a 2008/2009 Harvard Houghton Library Katharine Pantzer Jr. Descriptive Bibliography Fellow. He has held fellowships from the Newberry Library, the Herzog August Bibliothek, the Delmas and Mellon Foundations, the National Endowment for the Humanities, the Institute of Historical Research, and the Bibliographical Society of London. An active harpsichordist and pianist in the metropolitan NYC area, Mr. Eisenberg has performed and lectured on the rosters of Carnegie Hall, the Metropolitan Opera Guild, and Lincoln Center since 1996. He is currently completing his Ph.D. in musicology at the City University of New York. His dissertation, "Keyboard Seconda pratica in Transmission: An Early History of Copper-Engraved Music" treats the topic of engraved music in early-modern Italy.
Etnomusicóloga, becaria de CONICET y miembro del Centro Cultural de la Cooperación Floreal Gorini, en Buenos Aires, Argentina. Obtuvo una maestría en Comunicación y Cultura en la Facultad de Ciencias Sociales de la Universidad de Buenos Aires (UBA) y actualmente es doctoranda en Ciencias Sociales en la misma institución. Se desempeña como maestra de las materias "Etnomusicología Latinoamericana y del Caribe" y "Trascripción y análisis musical II" de la carrera de Etnomusicología en el Conservatorio Superior de Música "Manuel de Falla".
Profesor asociado de estudios latinoamericanos y latinos en la Universidad de Illinois en Chicago. Su trabajo de investigación se centra en las intersecciones entre modernidad, tradición, globalización e identidad en música, danza y cultura expresiva de México, la frontera México-Estados Unidos y al área del gran caribe. Es autor de Nor-tec Rifa! Electronic Dance Music from Tijuana to the World; Sounds of the Modern Nation. Music, Culture, and Ideas in Post-Revolutionary Mexico; y co-editor de Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Su trabajo ha recibido el Premio de Musicología Casa de las Américas (2005), el Premio de Musicología Samuel Claro Valdés (2002) y el Premio A-R Editions de la American Musicological Society, Midwest Chapter (2001-2002). Actualmente, Alejandro es miembro del consejo de la Society for Ethnomusicology, del comité ejecutivo del Hemispheric Institute for Performance and Politics, del comité ejecutivo de la International Association for the Study of Popular Music-Rama Estados Unidos, y del comité consultivo del Instituto Tepoztlán para la Historia Transnacional de las Américas. Además, es miembro del comité editorial de la Latin American Music Review y de Dancecult. Journal of Electronic Dance Music Culture, y es uno de los senior editors de la segunda edición del Grove Dictionary of American Music.
Postdoctoral Fellow of the Research Foundation-Flanders (FWO) at the Katholieke Universiteit Leuven (Belgium), and lecturer at the Centre for Plainchant, Drongen (Ghent). He received his PhD in musicology from the K.U.Leuven in 2008, with a dissertation entitled A Collegiate Church on the Divide. Chant and Liturgy at the Church of Our Lady in Tongeren (10th-15th centuries). His research interests include plainchant in the Low Countries, historiae (liturgical offices), chant reform and restoration, and the musical culture of the beguines.
His research focuses on contemporary Latina/o American public cultures with special emphasis on the ways categories of race, gender, and sexuality are negotiated in the process of migration. His work documents Latina/o queer performance practices ranging from theater and concert dance to social dance, fashion, and speech. He is assistant professor of Performance Studies at Northwestern University in Evanston, Illinois.
Titulado en Sociología y Licenciado en Música por la P. Universidad Católica de Chile. Desde 1997 ha ejercido la investigación en temas de cultura, sociología y música así como la participación en diversas agrupaciones musicales, publicando artículos de diverso tipo. Actualmente cursa su Doctorado en Etnomusicología en las universidades Complutense de Madrid (España) y Nova de Lisboa (Portugal).