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Musiche e frontiere: alcune riflessioni teoriche

Grazia Tuzi (Universidad de Valladolid)

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Resumen

Il modo in cui la musica, in determinati contesti, viene utilizzata per costruire, mantenere e negoziare i confini etnici e culturali viene presentato attraverso la breve analisi delle posizioni espresse a partire dal XX secolo intorno al concetto di confine e frontiera nell’ambito dell’antropologia e dell’etnomusicologia.

Palabras clave: Border studies, identità, frontieres, musiche, migrazione

 

Abstract

The way in which Music, in certain contexts, is used to build, maintain and negotiate ethnic and cultural borders is proposed through a short analysis of the scholarly points of views expressed in the fields of anthropology and ethnomusicology since the 20th Century, around the concepts of frontiers and border.

Keywords: Border Studies, frontiers, identity, music, migration.


Fecha de recepción: octubre 2014
Fecha de aceptación: mayo 2015
Fecha de publicación: octubre 2015

Received: October 2014
Acceptance Date: May 2015
Release Date: October 2015

 



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TRANS - Revista Transcultural de Música