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Revista Transcultural de Música
Transcultural Music Review

#4 (1999) ISSN:1697-0101

CONTRIBUTING AUTHORS


Francisco Cruces es profesor del Departamento de Psicología social y
Antropología en la Universidad de Salamanca. Ha realizado trabajo de campo en Madrid, Extremadura, México D.F. y Bogotá sobre temas de ritual, simbolismo, música y vida urbana. Sus publicaciones recientes incluyen el libro colectivo N. GARCIA CANCLINI et al. Cultura y comunicación en Ciudad de México. México: Grijalbo, 1998; y, en colaboración con A. Diaz de Rada, La ciudad emergente:transformaciones urbanas, campo político y campo asociativo en un contexto local. Madrid: UNED
Lynda Dee Dixon is Associate Professor and Director of Graduate Programs at the Department of Interpersonal Communication, Bowling Green State University. She obtained her Ph.D. at the School of Communication of the Oklahoma State University. Her main research interest is Cross Cultural Communication.
Shirley Marie Joiner obtained a doctor degree in the department of curriculum and instruction at Texas A&M University. She taught one year as visiting assistant professor in the department of communicative arts and sciences where she conducted research for her dissertation at Eastern New Mexico University, Portales, New Mexico. In 1984, Shirley earned her Master of Science in interdisciplinary studies in speech communication, radio/television/film and education from the University of North Texas, Denton, Texas. She completed her Bachelor of Applied Arts & Sciences in public relations with minor in administrative services in 1977 at Stephen F. Austin State University, Nacogdoches, Texas.
Karyn Charles Rybacki is professor of speech communication and public relations in the Department of Communication and Performance Studies at Northern Michigan University. Donald Jay Rybacki is head of that department and also a professor of speech communication and public relations. The Doctors Rybacki are the authors of Advocacy and Opposition: An Introduction to Argumentation published by Allyn & Bacon; Communication Criticism: Approaches and Genres published by Wadsworth. They are currently working with a colleague at Southern Illinois University on Public Relations Writing: Message By Design to be published by Houghton-Mifflin. Besides contemporary music and music videos, their research includes motor sports, and they have published on everything from vintage sports car racing to NASCAR.
Chris Small is the author of Music, Society, Education, London, John Calder 1977 (2nd edn 1980) and New York, Riverrun Press 1982. Also published in Italian 1982 by: Milan, Feltrinelli, in Greek 1983 by: Athens, Nefeli and in Spanish 1989 by: Madrid, Alianza. Reissued 1996 with a new foreword by Robert Walser by: Hanover NH and London: Wesleyan University Press/University Press of New England. Music of the Common Tongue - Survival and Celebration in Afro-American Music, London, John Calder 1987 and New York, Riverrun Press 1988. Revised and corrected edition with a new author's foreword 1998 by: Hanover NH and London: University Press of New England/Wesleyan University Press. And Musicking : The Meanings of Performing and Listening, Hanover NH and London: University Press of New England/Wesleyan University Press 1998.
Patricia A. Washington is Professor and Chairperson, Division of Social Work Human Services at Florida Gulf Coast University &endash; Fort Myers, Florida. She obtained her Ph. D. at the University of Pittsburgh - School of Social Work. Her research interests are Rap Music, Vulnerable Populations, and Corrections.

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